The year is 1803, and Darcy and Elizabeth have been married for six years. There are now two handsome and healthy sons in the Pemberley nursery, Elizabeth's beloved sister Jane and her husband, Bingley, live within seventeen miles, the ordered and secure life of Pemberley seems unassailable, and Elizabeth's happiness in her marriage is complete.
But their peace is threatened and old sins and misunderstandings are rekindled on the eve of the annual autumn ball. The Darcys and their guests are preparing to retire for the night when a chaise appears, rocking down the path from Pemberley's wild woodland, and as it pulls up, Lydia Wickham, an uninvited guest, tumbles out, screaming that her husband has been murdered.
A piercing scream brings Superintendent Adam Dalgliesh hurrying from his literary party to the Steen Psychiatric Clinic, where he discovers the body of a woman and a chisel thrust through her heart. As he probes beneath the unruffled calm of the clinic, he discovers that many an intrigue lies hidden behind the Georgian terrace's unassuming facade.
Commander Dalgliesh returns in P. D. James's classical detective novel full of atmosphere and suspense, set in her beloved East Anglia.
Death in Holy Orders is set in an Anglican theological college on a desolate stretch of the East Anglian coast, a location which she has made particularly her own. When the body of one of the students is found on the shore smothered by a fall of sand, his wealthy father demands that Scotland Yard re-examines the verdict of accidental death. Dalgliesh has visited St Anselm's in his boyhood and, as he is due for a holiday, agrees to pay a visit, expecting no more than a nostalgic return to old haunts and a straightforward examination of the evidence given at the inquest. Instead he finds himself embroiled in one of the most horrific and puzzling cases of his career. Other visitors come to the college on the weekend of his arrival, not all of them with benign intent. One will never leave it alive.
Death in Holy Orders, a masterly exploration of an isolated and beleagured community coping with the evil and disruption of murder, has all the qualities which distinguish P. D. James as a novelist: the sensitive evocation of place, a complex and credible mystery, respect for forensic detail and the tension of a plot that never flags
Notorious investigative journalist Rhoda Gradwyn books into a private clinic in Dorset for the removal of a disfiguring facial scar. She was never to leave there alive. Dalgliesh and his team are called in to investigate the murder, and later a second death, which are to raise even more complicated problems than the question of innocence or guilt.
When the notorious investigative journalist Rhoda Gradwyn booked into Mr Chandler-Powell's private clinic in Dorset for the removal of a disfiguring and long-standing facial scar, she had every prospect of a successful operation by a distinguished surgeon, a week's peaceful convalescence in one of Dorset's most beautiful manor houses and the beginning of a new life. She was never to leave Cheverell Manor alive. Dalgliesh and his team are called in to investigate the murder, and later a second death, which are to raise even more complicated problems than the question of innocence or guilt.
A new detective novel by P. D. James is always keenly awaited and The Private Patient will undoubtedly equal the success of her worldwide bestseller The Lighthouse. It displays the qualities which P. D. James's readers have come to expect: a masterly psychological and emotional richness of characterisation, a vivid evocation of place and a credible and exciting mystery. The Private Patient is a powerful work of contemporary fiction
Philippa Palfrey, adopted as a child, believes herself to be the illegitimate daughter of an aristocratic father. At 18, she exercises her right to find out the truth. What she discovers will change her life forever. She enters a new and terrifying world and soon comes to realize that she is not the only one interested in her parents' whereabouts.
When Mrs. Maxie Martingale was busy in organizing St Cedd's Church fete, she gets the news of her son's sudden engagement to her new parlour maid, the sly single mother, Sally Jupp. On the following morning Martingale and the whole village are shocked by the discovery of Sally Jupp's body.
A serial killer known as the Whistler is terrorising the neighbourhood and Commander Dalgliesh is drawn into the lives of the headlanders when it quickly becomes apparent that the Whistler isn't the only murderer at work under the sinister shadow of the power station.
The Peverell Press, a two-hundred-year-old publishing firm housed in a dramatic mock-Venetian palace on the Thames, is certainly ripe for change. But the proposals of its ruthlessly ambitious managing director, Gerard Etienne, have made him dangerous enemies - a discarded mistress, a neglected and humiliated author, and rebellious colleagues.
When Commander Dalgliesh is persuaded to visit the Dupayne, a private museum on the edge of Hampstead Heath, he has no idea that he will return a week later under very different circumstances. One of the family trustees has been horribly murdered and Dalgliesh is called in to investigate.
Presents crime fiction to bear on this personal history of the genre, from the birth of the detective story, through Wilkie Collins and Conan Doyle, to the golden age of crime and the rise of Agatha Christie, Dorothy L Sayers, Ngaio Marsh and Margery Allingham.
The proposals of The Peverell Press's ambitious new managing director, Gerard Etienne, have made him dangerous enemies. When Gerard's body is discovered bizarrely desecrated, there is no shortage of suspects and Dalgliesh and his team are confronted with a puzzle of extraordinary complexity and a murderer who is prepared to strike again.
The young women of Nightingale House are there to learn to nurse and comfort the suffering. But when one of the students plays patient in a demonstration of nursing skills, she is horribly, brutally killed. Another student dies equally mysteriously, and it is up to Adam Dalgliesh to unmask a killer.
When a young girl is found murdered in a field, the scientific examination of the exhibits is just a routine job for the staff of Hoggatt's forensic science laboratory. But nothing could have prepared them for the brutal death of one of their own when the senior biologist is found dead in his laboratory.
Hired to protect a beautiful but neurotic actress, Cordelia Gray is soon embroiled in a mysterious case. Clarissa Lisle hopes to make a spectacular comeback. Trapped within the walls of the Gothic Castle, the treacherous past of the island re-emerges, and everyone seems to have a motive for sending Clarissa 'down, down the hell'.
The year is 2021. No child has been born for 25 years. The human race faces extinction. Under the despotic rule of the Warden of England, the old are despairing and the young cruel. Theo Faren, a cousin of the Warden encounters a young woman that leads him into contact with dissenters. And he faces agonising choices.
Venetia Aldridge QC, a distinguished barrister, agrees to defend Garry Ashe, accused of the murder of his aunt. Four weeks later, Aldridge is found dead. Commander Dalgliesh investigates and finds motives for murder among Venetia's clients. As Dalgliesh narrows the field of suspects, a second brutal murder draws them into greater complexities.
Two men lie in a welter of blood in the vestry of St Matthew's Church, Paddington, their throats brutally slashed. One is Sir Paul Berowne, a baronet and recently resigned Minister of the Crown, the other an alcoholic vagrant. Dalgliesh and his team are faced with a case of great sensitivity and complexity.
